Muzammil Hussain (b. 1996, Kanpur) is an Indian artist based in Groningen. He completed his education at the Frank Mohr Institute, graduating in 2024. Prior to this, he earned a degree in Art and Design from the Arts University Bournemouth (2015-2016) in England, followed by further studies at AKI, ArtEZ (2018-2021) in Enschede.

Muzammil's work has garnered attention on several platforms. His solo presentation at the NAP+ Art Fair 2024 was highlighted in Museumkijker by Karin Abdullah Kahn-Feenstra, who provided an in-depth discussion of his work. In 2023, his art was featured in the Launch Exhibition by Curated By at Huis Vasari in Amsterdam, as well as at the Springboard Art Fair in Utrecht. Earlier, in 2022, his work was exhibited at the prestigious De Buning Brongers Prijzen in Arti et Amicitiae, Amsterdam, accompanied by a detailed interview published in Mister Motley magazine.

Hussain's recent body of work delves into the intricate relationship between the animal kingdom and human behaviour, with a particular focus on human-animal hybrids. His fascination with animals is reflected in detailed sketches that evolve into reductive figures by incorporating human attributes and everyday objects. These hybrids, depicted in familiar, everyday scenarios, blur the boundaries between toys, pop culture symbols like WhatsApp stickers or NFTs, and even potential deities in the temple of capitalism. Despite their modern commercial associations, these creatures remain open to diverse interpretations, allowing viewers to forge personal connections.
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At the heart of Muzammil's work is the pursuit of joy in the mundane, coupled with a reflective exploration of nature's profound influence on human life. Themes of innocence, beauty, brutality, exploitation, and affection resonate throughout his paintings, serving as both inspiration and social critique. His work is also deeply influenced by hip-hop and pop culture, highlighting the interconnectedness between social media, cultural expression, and artistic creation.
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Muzammil’s use of human-animal hybrids is not merely a stylistic choice but an intentional act of unity. These hybrids bridge diverse segments of race, class, gender, and ethnicity, symbolising a deeper, universal connection that transcends verbal communication. By reinterpreting ancient traditions—ranging from Egyptian gods to Greek mythology and Hindu theology—he situates his work within a rich cultural lineage while simultaneously presenting a modern vision.
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This approach aligns with his vision of a hopeful future. In a world where hatred often fuels division, Muzammil has chosen joy as his artistic currency. He seeks to create works that transcend superficial metrics of normalcy, asking fundamental questions about identity, belonging, and societal change. His creations encourage viewers to embrace the unfamiliar within themselves and others, using the anthropomorphic hybrids as representations of future beings. Through this process, he strives to foster resilience and courage, encouraging love and oneness as a means to overcome fear seclusion.